Frederic George Stephens (10 October 1827 – 9 March 1907) was a British art critic, and one of the two 'non-artistic' members of the Pre-Raphaelite Brotherhood.[1]Stephens was born to Septimus Stephens of Aberdeen and Ann (née Cook) in Walworth, London and grew up in nearby Lambeth. Because of an accident in 1837, he was physically disabled and was educated privately. He later attended University College School, London. In 1844 he entered the Royal Academy Schools where he first met John Everett Millais and William Holman Hunt. He joined their Pre-Raphaelite Brotherhood in 1848, often modelling for them in pictures including Millais's Ferdinand Lured by Ariel (1849) and Ford Madox Brown's Jesus Washing Peter's Feet[2] (1852–56; Tate, London). There is a pencil portrait of Stephens[3] by Millais dated 1853 in the collection of the National Portrait Gallery. He was so disappointed by his own artistic talent that he took up art criticism and stopped painting. In later life he claimed to have destroyed all his paintings, but three of them are now in the Tate Gallery, London: The Proposal (The Marquis and Griselda)[4] (1850–1), Morte d'Arthur[5] (1849), and Mother and Child[6] (circa 1854–6), along with a pencil drawing of his stepmother Dorothy[7] (1850), a study for an oil portrait he exhibited at the Royal Academy in 1852. He also exhibited a portrait of his father (1852–3) at the Academy in 1854. A large pen-and-ink drawing illustrating a subject from Geoffrey Chaucer's The Pardoner's Tale, Dethe and the Riotours (1848–54), which he gave to Dante Gabriel Rossetti in 1854, is now in the Ashmolean Museum, Oxford. Less