La Femme Comme On N'en Connoit Point, Ou Primauté De La Femme Sur L'homme.

by John Hill

2021-01-09 09:13:02

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revoluti... Read more
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard University Houghton LibraryN006466P.121 signed: Abraham Johnson, i.e. John Hill. "A revised edition of the translation, attributed to E. G. Colombe, of Hill's 'Lucina sine concubitu'" (MH-H). The imprint is false; printed in Paris (Weller).Londres i.e. Paris]: chez Gabriel Goldt. Et chez les meilleurs libraires de l'Europe, 1786. 165, 1]p.; 12 Less

Book Details

File size7.44 X 9.69 X 0.38 in
Print pages176
PublisherBiblioLife
Publication date June 10, 2010
LanguageFrench
ISBN9781170054178
Author
John Hill is Professor and Head of Research in the Department of Media Arts at Royal Holloway, University of London. He is the author and editor of a number of books, including Cinema and Ireland (198...

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