Lettre sur les aveugles, a l'usage de ceux qui voyent.

by Denis Diderot

2021-01-09 07:14:41

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revoluti... Read more
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)N033493Anonymous. By Denis Diderot. The imprint is false; probably printed in France. In this edition the "V" in "Virg." in the quotation is below the space preceding "videntur."Londres, 1749. 209,211-220, 1]p., plates; 8 Less

Book Details

File size9.21 X 6.14 X 0.34 in
Print pages158
PublisherBiblioLife
Publication date August 1, 2018
LanguageFrench
ISBN9780274453887
Denis Diderot was born at Langres in eastern France in 1713. After graduating in Paris in 1732, he was nominally a law student for ten years, but was actually leading a precarious bohemian but studio...

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