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Critical and Historical Essays; Lectures Delivered at Columbia University

by Edward MacDowell

2019-01-11 16:11:33

Darwin's theory that music had its origin “in the sounds made by the half-human progenitors of man during the season of courtship” seems for many reasons to be inadequate and untenable. A much more plausible explanation, it seems to me, is to be ... Read more
Darwin's theory that music had its origin “in the sounds made by the half-human progenitors of man during the season of courtship” seems for many reasons to be inadequate and untenable. A much more plausible explanation, it seems to me, is to be found in the theory of Theophrastus, in which the origin of music is attributed to the whole range of human emotion. When an animal utters a cry of joy or pain it expresses its emotions in more or less definite tones; and at some remote period of the earth's history all primeval mankind must have expressed its emotions in much the same manner. When this inarticulate speech developed into the use of certain sounds as symbols for emotions—emotions that otherwise would have been expressed by the natural sounds occasioned by them—then we have the beginnings of speech as distinguished from music, which is still the universal language. In other words, intellectual development begins with articulate speech, leaving music for the expression of the emotions. Less

Book Details

File size651.084 KB
Print pages304
PublisherPublic Domain Books
Publication date2012-08-01
LanguageEnglish
ISBN9781290762748,
Edward Alexander MacDowell (December 18, 1860[1] – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano s...

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