The Window at the White Cat
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By Mary Roberts Rinehart 28 Jan, 2019
In my criminal work anything that wears skirts is a lady, until the law proves her otherwise. From the frayed and slovenly petticoats of the woman who owns a poultry stand in the market and who has grown wealthy by selling chickens at twelve ounces t ... Read more
In my criminal work anything that wears skirts is a lady, until the law proves her otherwise. From the frayed and slovenly petticoats of the woman who owns a poultry stand in the market and who has grown wealthy by selling chickens at twelve ounces to the pound, or the silk sweep of Mamie Tracy, whose diamonds have been stolen down on the avenue, or the staidly respectable black and middle-aged skirt of the client whose husband has found an affinity partial to laces and fripperies, and has run off with her—all the wearers are ladies, and as such announced by Hawes. In fact, he carries it to excess. He speaks of his wash lady, with a husband who is an ash merchant, and he announced one day in some excitement, that the lady who had just gone out had appropriated all the loose change out of the pocket of his overcoat. Less
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  • 167.355 KB
  • 300
  • Public Domain Books
  • 2011-09-06
  • English
  • 978-1434463395
Mary Roberts Rinehart was an American writer, often called the American Agatha Christie, although her first mystery novel was published 14 years before Christie's first novel in 1920....
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